Mapi Lairik
A Manipuri Film by
Ningthouja Lancha
Synopsis
Set in a Meitei locality in the early 1970s, “Mapi Lairik” follows the touching story of Tomba, a young boy working as a glass washer at a tea vendor’s shop known as Eigya’s Hotel. Eigya, the owner, has a daughter named Ebemma, who is Tomba’s age. The two share a bond as close as siblings.
As Tomba runs errands for the hotel, he often passes the village primary school where Ebemma studies. The sound of children reading aloud fills him with a yearning to attend school himself. After finishing his daily chores, Tomba joins Ebemma for lessons, and she teaches him to read and write using her First Book.
Eigya occasionally rewards Tomba with a few coins for his work, which he diligently saves in a makeshift piggy bank hidden under his couch. Tomba dreams of buying his own First Book with these savings, sharing this aspiration with Ebemma.
“Mapi Lairik” poignantly depicts Tomba’s dreams and struggles, showcasing the harsh reality of his poverty that forces him to work instead of attending school, and the bittersweet loss of his childhood
Ningthouja Lancha
A short Biography
Ningthouja Lancha, born in 1962 in Keishamthong, Laisom Leirak, Imphal, Manipur, has had a rich journey intertwining his academic pursuits with his passion for the arts, particularly theatre. Growing up in an environment steeped in the cultural heritage of Manipur and having familial ties to folk drama laid the foundation for his artistic endeavors.
Lancha pursued a Master’s degree in Social Anthropology, gaining valuable insights into the societal fabric of Manipur, which enriched his understanding of the cultural nuances informing his artistic expressions. In 1984, while still engaged in his anthropological studies, Lancha joined Theatre Mirror Manipur, guided by his brother-in-law, Wareppa Naba, a luminary in Manipuri theatre known for innovating and revitalizing native theatrical traditions.
His dual roles as an anthropology scholar and theatre practitioner complemented each other, allowing him to bring a deeper understanding of cultural dynamics to his art and infusing his academic pursuits with lived experiences from the communities he engaged with through theatre. Lancha’s contributions to Manipuri theatre reflect a commitment to preserving traditional forms while exploring new avenues for creative expression, staying true to his roots while embracing innovation.
A significant turn in Lancha’s artistic journey occurred when he met Maharajkumari Binodini, a renowned figure in literature and cinema. Their collaboration on adapting Rabindranath Tagore’s “Hungry Stone” into the Manipuri play “Charamnaraba Thoudu Nung” marked a milestone in his career. His outstanding performance in this play earned him the prestigious Best Actor award at the National Theatre Festival held in Girish Manch, Calcutta.
In 1986, Lancha co-founded Mamikon Manipur, a film production house, marking his entry into filmmaking. Mamikon Manipur debuted with the production of “Thengmallabra Radhamanbi” in 1989, signaling a new chapter in Lancha’s artistic journey. Through this venture, he aimed to bring Manipuri stories to a wider audience, showcasing his homeland’s rich heritage and diverse narratives.
Lancha’s involvement in both theatre and cinema highlights his diverse talents and commitment to enriching Manipuri culture through various artistic endeavors. As an actor, director, and filmmaker, he continues to push boundaries, explore new narratives, and champion the cultural heritage of Manipur on both local and national stages.
Director
Ningthouja Lancha
Story
Shijagurumayum Nilbir Sharma Shastri
Editors
Tarun Mangang
Regan Khangembam
Irom Henba
Producer
Ningthouja Lanjenla Lancha
Screenplay
Ningthouja Lancha
Co-Producer
Wahengbam Jadumani
Casting
Romi Lamabam
Executive Producer
Akoijam Jayanti Lancha
Sound Design
Irom Henba
Johny Laishram
Cast
Sagolshem Chalamba
as Tomba
Pinky Yadav Mayum
as Ebemma
N. Rajen
Meitei
as Eigya
Ningthoujam Reena
as Leirikmacha
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